Eleanora fagan gough biography of william hill

  • Eleanora Fagan was born in Pennsylvania in 1915.
  • Billie Holiday (born Eleanora Fagan Gough in Philadelphia) grew up in jazz-soaked Baltimore of the 1920s.
  • In the 1950s, #BillieHoliday had a residency at the Storyville Club in Boston, MA. Songs were recorded live over various broadcasts and sessions.
  • BiographiesBillie Holiday

    (Elinore Harris [Geburtsname]; Eleanora Fagan [Taufname]; Lady Day [Spitzname]; Eleonora McKay [Ehename])

    born on 7 April 1915 in Philadelphia
    died on 17 July 1959 in New York City

    American Jazz singer


    Biography • Quotes • Weblinks • Literature & Sources


    Biography

    Billie Holiday overcame an impoverished and abusive childhood to become the definitive jazz singer of the 1930’s and 40’s. Although she lacked any formal musical training she had an uncanny ability to “hear” rhythms, syncopations and cadences and developed her own unique improvisational style, influencing the development of jazz and pop music for decades to komma with the mesmerizing emotional intensity of her singing. Inspired as a child by recordings of Louis Armstrong and Bessie Smith, she eventually sang with virtually all the greats of the Swing era: Count Basie, Artie Shaw, Art Tatum, Teddy Williams and Benny Goodman among many others. Frank Sinatr

  • eleanora fagan gough biography of william hill
  • Billie Holiday: Profile of an Upper West Sider

    If you visited the old Tower Records on West 66th Street in 1997 or 1998, chances are you heard the unforgettable voice of Billie Holiday crooning on repeat from the vocals section just atop the long escalator that overlooked the adjacent Barnes & Noble. Her voice was honest and disarming and bolstered by the brassiness of the instruments playing behind her. Her musical repertoire reverberated off the two-story tall glass windows just above Broadway for hours on end.

    Billie Holiday was jazz royalty. A legend. An incredible talent. Courageous and hard to forget. An Upper West Sider, she was an incredible pioneering woman who had virtually everything working against her but managed to reach the peak of success as a black woman during a time when lynchings and government sanctioned segregation were commonplace.




    Like so many people who have only an abundance of disadvantage, Holiday was never supposed to succeed. She was never s


    .       Orchestra leader Ray Ellis poses with Holiday in 1958. Holiday made her final studio recording with Ellis’ orchestra           the following year.

    Billie Holiday  is generally regarded by knowledgeable jazz enthusiasts to be the greatest female singer in jazz, although a novice listener may at first find this hard to understand.  Holiday had a small voice, did not belt out songs the way the blues queens before her had, lacked the musicality of Ella Fitzgerald, and, unlike Ella, never scatted in her singing.  Recordings from late in her career reveal a thin, almost toneless voice with a deceptively conversational style.  Yet, her innovative way with behind-the-beat phrasing was ahead of its time – and in step with the laconic tenor sax of Lester Young.  And it was Young – known within jazz circles as “The Prez” – who gave her the name, “Lady Day,” which Bi