Mayumi yokoyama biography of george
•
Traces That Remain:
All chapters
(click for larger) | Copyright © Barbara R. Sims, Digital text (with minor revisions) © by Barbara R. Sims |
ContentsFrontispiece i Dedication ii Foreword iii 1. 'Abdu'l-Bahá in Oakland, California in 2. The First Bahá'í Group in the Pacific 3. The First Japanese Bahá'ís 4. 'Abdu'l-Bahá's Prayer for Japan 5. The First Public Meeting in Japan 6. Miss Agnes B. Alexander, Daughter of the Kingdom 7. Dr. George Jacob Augur 8. The First Photograph of a Bahá'í Meeting in Japan 9. A Garden Party A Gathering to Meet Tagore of India Mr. Kikutaro Fukuta Miss Yuri (Yuriko) Mochizuki A Bahá'í Girls' Class in Tokyo The Faith Spreads to Kobe in A Christmas Party in Tokyo, Mrs. May Bolles Maxwell Japanese Dolls to Sell for the House of Worship Auntie Victoria Mr. Tokujiro Torii Akira Torii The Blind in Japan Receive the Light Mr. Daiun Inouye and Mr. Sensui Saiki Mrs. Ida Finch The Faith Reaches Korea from Japan in • Entre 8 h 30 et 9 h 30, dem à , au coin sud dem la 42e rue et de l’avenue Vanderbilt à New York. Between am and am, from to , at the southern corner of 42nd Street and Vanderbilt Avenue in New York City. Le photographe danois Peter Funch a placé ces limites rigides sur son projet photographique de 9 ans, 42nd et Vanderbilt. Réduisant fransk artikel opportunités infinies que NYC a à offrir à un artiste, Funch fait remonter à la surface les minuties contenues dans un fragment de notre routine quotidienne, la courte promenade ni point A au point B, nous rappelant que la pratique de la photographie enstaka général et de la photographie dem rue spécifiquement, na fait queffleurer la surface dem la possibilité. Danish photographer, Peter Funch, placed these rigid confines upon his 9 year photographic project, 42nd and Vanderbilt. Narrowing the infinite opportunities NYC has to offer an artist, Funch brings to the surface the minutiae contained within a fragment of our daglig routine, the short wa • I've always said that I think one of the, I call it a curse in some ways, that my grandmother put on me, was she always used to tell me, and she told me so frequently that everything I did, good or bad in life, would reflect upon the entire Japanese race. And I think I bought that. I was not the sort of questioning person. When my parents or grandparents said something to me I just sort of accepted it. Not that I liked it, but I accepted it. And I think I bought that. And that was reinforced all through high school, junior high school where I saw the community sort of gather together to protect a particular family in the JA community that might have sinned socially. And they didn't want people to think that this was normal behavior for Japanese Americans, and so they would essentially cover-up. And I remember, especially in high school and in college where sex started to become a little bit more open and, and young women were getting pregnant, you know, out of wedlock,
|