La ultima vez carrie rodriguez biography
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Carrie Rodriguez and Gina Chavez
Brené Brown: Hi, everyone. I’m Brené Brown, and this is Unlocking Us. I’m so excited about this episode, and I’ll tell you why. If you are a regular podcast listener, if you’re with us on Unlocking Us on a regular basis, you will know the amazing music that leads us into the podcast, and the amazing music that takes us out of the podcast. Well… You’re going to meet the musicians today behind that music. So the intro music is called “Muy Podcasty.” And the kind of outro music or what we lead out with is called “Oneder” spelled O-N-E-D-E-R, to find out why it’s called that, [chuckle] I had no idea. There were so many guesses about the title of the song “Oneder,” including one person who said, “Oh, I thought it was ‘Oneeder”, which just really made me laugh. And then someone said, “Oh, I thought that was maybe how you said “wonder” in Spanish. But you’ll find out in the podcast why the outro music is called “Oneder”.
BB: So today, you
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Carrie Rodriguez
Artist: Carrie Rodriguez
Album: Lola
Label: Luz Records
Release Date: 02/09/
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For those approaching Social säkerhet, Lola, will no doubt bring back mixed recollections of Ronstadts Cancciones dem mi Padre (). There are similarities, the obvious being how the two voices sound alike on certain songs. But Lola has it over Linda as being a bi-lingual effort, gratefully featuring several of Rodriguezs best songs to date.
With a breezy ranchera swing artighet of the Sacred Hearts (Rodriguez, guitarist Bill Frissell, multi-instrumentalist Luke Jacobs, bassist Viktor Krauss and drummer Brannen Temple)Rodriguez presents this crowd-funded disc at what Im ready to loudly argue fryst vatten the peak of her sizable interpretative and songwriting abilities. Inspired by dreams of Mexican recording legend, Lola Beltran, and her own aunt,
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Carrie Rodriguez released her fifth solo album, Lola, on February 19th. I took an immediate liking to it as I listened for the first time. The vocals were immediately appealing, the violin too, and the guitar work struck me as falling somewhere between jazz and country; clearly this was something special. This genre-bending music is decidedly Tex-Mex influenced country with elements of folk, jazz, and pop.
A couple of other thoughts occurred to me during that first listen. This seemed to be an album that Vin Scelsa would have played on his Idiot's Delight program (SiriusXM or WFUV) had he not retired about a year ago. I wasn't recalling any special connection with Vin, this just sounded like a record that he would have pulled from the new release pile and played two or three tracks; I do miss that show. The other thought that occurred to me was that this would be at the top of my list to see if I were going to Austin for SXSW this year.
Carrie Rodriguez is a Mexican-American s