Percy bysshe shelley ozymandias biography sampler
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Teaching English
Its been a long summer of marking and a bit of a hiatus between the series of blog posts on Love and Relationships for the AQA GCSE English Literature Anthology, and this next series on Power and Conflict. I have to säga that theres some good poems in here including my very favourite of all, Ozymandias, the one Im starting with. Its going to be a looooong brev because inom love this poem and also because there fryst vatten such a lot of rubbish already circulating about it. inom think its time to put a stop to the insanity of explaining that its a sonnet because powerful men are in love with themselves or that it was a poem about a statue imported in (thats you, Wikipedia, you unreliable thing, you!). This brev is going to be split into two, since its an epic poem to cover. Here, Ill look at form, röst and context, then structure and language in the next. For my favourite of all poems, it deserves that much indeed.
Why do inom love it so much, yo
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Faculty of Arts, Chulalongkorn University
Ozymandias
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Percy Bysshe Shelley
(August 4, – July 8, )
I met a traveller from an antique land, | |||
Who said—‘Two vast and trunkless legs of stone | |||
Stand in the desert . . . near them, on the sand, | |||
Half sunk a shattered visage lies, whose frown, | |||
And wrinkled lip, and sneer of cold command, | 5 | ||
Tell that its sculptor well those passions read | |||
Which yet survive, stamped on these lifeless things, | |||
The hand that mocked them, and the heart that fed; | |||
And on the pedestal these words appear: | |||
My name is Ozymandias, King of Kings, | 10 | ||
Look on my Works ye Mighty, and despair! | |||
Nothing beside remains. Round the decay | |||
Of that colossal Wreck, boundless and bare | |||
The lone and level sands stretch far away’.— |
Notes
This poem was
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“Ozymandias” by Percy Bysshe Shelley: Decay of Political Power Essay
Introduction
The poem Ozymandias, by Percy Bysshe Shelly, is a fascinating examination of a decaying statue that resonates a central principle: history marches forward and no man can stop it. It is through various literary techniques that Shelly’s belief art and language outlast politics shines through. As the poem creates the mysterious sculpture found in “an antique land” and subsequently destroys it, the reader experiences a sense of ironic loss that almost hedges into hopelessness. Shelly’s poem Ozymandias effectively communicates that political power is not everlasting and even the most feared of leaders cannot halt the passage of time through its use of irony, alliteration, and metaphor.
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Main body
Shelly’s main literary device in Ozymandias is his use of irony to emphasize the decay of politic